As an internationally-renowned centre for the teaching and research of art history and a major public gallery, The Courtauld works to advance how we see and understand the visual arts. Founded by collectors and philanthropists in 1932, the organisation has been at the forefront of the study of art ever since, through advanced research and conservation practice, innovative teaching, a world-famous collection, inspiring exhibitions, and engaging activities and events. Founded on the belief that everyone should have the opportunity to engage with art, The Courtauld works to increase understanding of the role played by art throughout history, in all societies and across all geographies – as well championing the importance of art in the present day. This could be through exhibitions offering opportunities to look closely at world-famous works; events bringing art history research to new audiences; research-led short courses; digital engagement, innovative family, school and community programmes; or formal qualifications.
Academically, The Courtauld faculty is the largest community of art historians and conservators in the UK, teaching and carrying out research on subjects from creativity in late Antiquity to contemporary digital art forms – with an increasingly global range. An independent college of the University of London, The Courtauld has significantly broadened its curriculum over the years and offers degree programmes from BA to PhD in the history of art, curating and the conservation of easel and wall paintings. Its alumni are leaders and innovators in the arts, culture and business worlds, helping to shape the global agenda for the arts and creative industries. Additionally, The Courtauld cares for one of the greatest art collections in the UK, presenting these works to the public at The Courtauld Gallery in central London, as well as through loans and partnerships. The Gallery is most famous for its iconic Impressionist and Post-Impressionist masterpieces – such as Van Gogh’s Self-Portrait with Bandaged Ear and Manet’s A Bar at the Folies-Bergère. It showcases these alongside an internationally-renowned collection of works from the Middle Ages and Renaissance through to the present day.
The Courtauld’s ambition is to transform access to art history education by extending the horizons of the subject and ensuring as many people as possible can benefit from the tools to understand better the visual world around us. The Courtauld is at a fascinating moment in its history – and a critical point in an ambitious institutional development and transformation project. This major programme is underpinned by a substantial capital project to modernise and transform its home, the North Block of Somerset House – London’s working arts centre – into a 21st-century estate. A series of architectural interventions, restorations and renovations are rejuvenating and revitalising this important historic building. The Gallery reopened in November 2021 to critical acclaim, with huge improvements to the building’s accessibility, visitor experience, the care of it's collections and conservation facilities. With students and academic staff temporarily based near King’s Cross, plans to redevelop the remaining parts of the North Block at Somerset House will also provide state-of-the-art teaching, learning and research facilities. This second phase of the capital project will enable The Courtauld to be a centre for excellence, whilst ensuring that it is accessible and open to wider and more diverse publics, locally, nationally and globally.
In January 2022, The Courtauld announced a ten-year strategic relationship with its neighbour King’s College London, which initially involves academic collaborations in teaching and research and shared student facilities. In summer 2023, Professor Deborah Swallow, Märit Rausing Director, passes the leadership baton to Professor Mark Hallett, currently Director of the Paul Mellon Centre for British Art. Now is an incredibly exciting time to be joining the organisation as it continues to evolve and modernise to ensure that it is fit for purpose for the future as a nationally and internationally-renowned arts institution.